National Arts Council of Zimbabwe Calls Sculptors to Collaborate Amid Sector Challenges
The National Arts Council of Zimbabwe (NACZ) is urging sculptors across the country to embrace collaboration and innovation to safeguard the future of stone sculpture. Chief Executive Napoleon Nyanhi has warned that isolation in the creative sector often comes with financial hardship and risks leaving artists behind. His call comes at a time when the iconic Tengenenge Arts Community, once the heart of Zimbabwean sculpture, is struggling to maintain its former vibrancy. Known globally for attracting collectors and tourists, Tengenenge has declined sharply since the death of its founder, Tom Blomefield, in 2020. The vacuum left by Blomefield has been difficult to fill, and today many sculptors face stark realities, forcing some to abandon their craft or shift to carving tombstones and gold panning to survive.
The decline of the sector has not spared even its most celebrated names. Artists like Dominic Benhura, who once dominated the scene, have stepped back, leaving much of the responsibility to the local community and the National Gallery of Zimbabwe. Yet Nyanhi insists this is a temporary setback rather than a permanent collapse. He encourages sculptors to view the current period as a phase for reflection and adaptation. “Break isolation — it often comes with financial difficulty. Reach out to your fellow artists; we are seeing a powerful resurgence of collaboration through artist collectives and village workshops where resources, tools, and commissions are being shared,” he said. For many working in silos, this message underlines the importance of building networks and sharing knowledge to survive and thrive.
Nyanhi also emphasized the need for creative and strategic diversification in the sector. He cautioned against relying solely on traditional large stone works and urged sculptors to explore smaller, more affordable pieces that can appeal to domestic buyers. Functional art, limited editions, and innovative designs can expand income opportunities while keeping Zimbabwean sculpture relevant. He also pointed out the critical role of technology in transforming the sector. Many local artists are lagging behind, yet those leveraging social media and e-commerce platforms have successfully reached the diaspora and international collectors. By embracing digital tools, sculptors can bypass traditional galleries and directly connect with buyers who value the authenticity of Zimbabwean stone art.
Beyond financial and technological strategies, Nyanhi reminded artists of their cultural and creative responsibilities. He urged sculptors to preserve their creative capital through documentation, mentorship, and teaching younger artists. Apprenticeships not only strengthen the next generation but also allow experienced artists to rediscover inspiration and passion. Nyanhi stressed that resilience and adaptability define the legacy of Zimbabwean sculptors. The sector has endured political, economic, and social challenges before, and its history demonstrates that determination and courage can overcome difficult periods. By continuing to create, innovate, and collaborate, sculptors can ensure that their work remains relevant and valued both at home and abroad.
The NACZ chief executive’s message is clear: Zimbabwean sculpture faces challenges, but opportunities exist for those willing to evolve. Collaboration, diversification, digital engagement, and mentorship are essential for revitalizing a sector with immense cultural and economic potential. While Tengenenge and other artistic hubs may be struggling, the call to adapt and innovate provides a lifeline for sculptors nationwide. Zimbabwean stone art has always been celebrated for its resilience and creativity, and Nyanhi’s guidance aims to ensure this legacy continues. For sculptors willing to embrace change and work together, the fight is far from over, and the future of Zimbabwean sculpture remains bright.
