Chenhaka Trust and Dance Academy: Promoting Culture Through Traditional Dance

Taurai Moyo, the founder of Chenhaka Trust and Dance Academy, is at the forefront of efforts to preserve Zimbabwe’s cultural heritage through traditional dance and performing arts. Established in Mutare just two years ago, the academy has quickly gained recognition for its role in promoting traditional dances while also offering contemporary classes.

Since its inception, the academy has seen a steady increase in enrolment, thanks to growing interest in traditional arts, particularly in schools. Moyo’s initiative was inspired by a survey conducted in schools, revealing a significant demand for the inclusion of traditional dances as a way to promote cultural awareness and pride.

“We realised that dance and culture are essential aspects of our identity as Africans,” Moyo explained. “It is better to nurture the younger generation from an early age rather than trying to teach them later in life.”

Some of the popular dances taught at the academy include Jerusarema, Muchongoyo, Mbakumba, Shangara, Mbira dance, Dinhe, Mhande, Isitschikitsha, Amabhiza, Ingquzu, Chinyambera, and Ngungu. These dances, which are deeply rooted in Zimbabwean tradition, are taught to young learners with the goal of preserving cultural practices while passing them on to future generations.

Despite being a young institution, Chenhaka Trust and Dance Academy has been well-received by both traditional dance enthusiasts and the local community. “The support has been overwhelming,” Moyo shared. “The eagerness from the learners is inspiring, and although we are only two tutors managing the classes, the passion and dedication from the students is commendable.”

The academy caters to students under the age of 18, and to ensure the safety and well-being of the children, Moyo and his team have developed a comprehensive guide protecting the rights of both learners and tutors. The guide serves as a reassurance to parents, addressing concerns and providing a framework to ensure that both parties adhere to a code of conduct. “Parents are very involved, especially when their children are under 18, and we have put measures in place to protect both the learners and the tutors,” Moyo said.

One challenge that Moyo faces is the need to source resources externally, which can be costly. He emphasizes the importance of harnessing local talent to reduce costs and create a more sustainable operation. “We are only two tutors, and sometimes we have to outsource, which increases costs,” he explained. “It would be more efficient and cost-effective if we could tap into the talent within our own community.”

Looking to the future, Moyo envisions expanding the academy’s reach across Zimbabwe. He hopes to establish branches in all provinces to ensure that traditional dance is accessible to a wider audience. “Traditional dance is not just about performance; it’s a way for people to connect with their culture,” he stated. “We need to ensure that we preserve our heritage for future generations and beyond our borders.”

Moyo remains committed to his mission, fueled by the desire to inspire the next generation. “Young people look up to us, and we cannot afford to let them down. The best gift we can give is guidance and direction as they pursue their passions in the arts.”

With the continued support of the community and a strong vision for the future, Chenhaka Trust and Dance Academy is well-positioned to make a lasting impact on Zimbabwe’s cultural landscape. Through the preservation of traditional dance, Moyo and his team are helping to create a legacy that will sustain the arts for years to come.