Danai Gurira Returns to Zimbabwe to Launch Africa Voices Now Theatre Festival

Internationally acclaimed actress and playwright Danai Gurira has returned to Zimbabwe with a mission that goes beyond a homecoming. Her visit signals a deliberate investment in the country’s theatre scene, aimed at giving young creatives access to global platforms while nurturing Zimbabwean storytelling.
Gurira, known worldwide for roles in “Black Panther”, “The Walking Dead”, and stage productions such as “Eclipsed” and “The Convert”, has launched “Africa Voices Now!”, a new theatre festival designed to showcase Zimbabwean talent. The festival is the first public initiative by Almasi Arts Trust, an organisation she co-founded over a decade ago to mentor emerging artists.
Opening next week at the Jasen Mphepo Little Theatre in Harare, the festival marks Almasi’s shift from private mentorship to public engagement. Gurira emphasised the significance, saying, “After 13 years of intensive development, we’re ready to demonstrate that Zimbabwean theatre can compete internationally while remaining authentically African.”
The festival will feature three world-premiere plays by graduates of Almasi’s development programme. These include “Can We Talk?” by Batsirai Chigama, “These Humans Are Sick” by Tatenda Mutyambizi, and “The Return” by Rudo Mutangadura. Each play explores themes of grief, social justice, identity, and family, offering narratives that reflect African realities while appealing to global audiences.
Zaza Muchemwa, director at Almasi Arts Trust, said, “These three plays showcase the extraordinary talent that has been quietly developing within Zimbabwe. Each playwright brings a unique voice to universal themes, proving that African narratives have global relevance.”
Africa Voices Now! also prioritises youth development and accessibility. Through the Cultural Education Equity Initiative, over 500 students from 10 schools across Harare will gain behind-the-scenes access to rehearsals, attend subsidised performances, participate in theatre workshops, and engage directly with writers and cast. The programme aims to break down barriers that often separate theatre from public education and build cultural ownership among young Zimbabweans.
Festival publicist Phil Chard described the outreach as integral to the festival’s long-term impact. “We’re not only staging plays — we’re making a statement. Young Zimbabweans don’t have to leave their culture or continent to be heard. This is a cultural moment.”
Running until November 7, the festival prioritises meaningful engagement between performers and audiences. It presents a scaled-down model that highlights theatre as a viable creative enterprise while offering a premium cultural experience.
Gurira’s return also carries symbolic significance. In a context where many young Zimbabweans see emigration as the only path to success, her investment in local infrastructure offers an alternative. She demonstrates that Zimbabwe can be a place where creative careers are built and sustained.
Her presence on the ground as a working artist, mentor, and builder elevates the festival’s significance. By providing tools, training, and platforms, Gurira ensures the next generation of storytellers can share their stories authentically and on their own terms.
Africa Voices Now! represents more than a festival. It embodies a vision for Zimbabwean theatre’s future, offering young creatives the opportunity to engage with professional practice and global standards. For the students and emerging artists involved, Gurira’s return has made that future tangible.



