South African Jazz Icon Steve Dyer Praises Hope Masike and Selmor Mtukudzi for Their Outstanding Musical Excellence
South African jazz legend Steve Dyer has placed Zimbabwean artists Hope Masike and Selmor Mtukudzi among the finest musicians on the continent, highlighting their talent, discipline, and growing international impact. The respected saxophonist and flutist, who shared a close friendship with the late music icon Oliver Mtukudzi, made the remarks during a recent visit to Harare. His comments came after a live performance at Alliance Française de Harare, where he shared the stage with Masike, Josh Meck, and Tendai Madzviti in a show that drew strong praise from jazz audiences. The event reinforced the strong artistic ties between South African and Zimbabwean musicians. It also showcased the continued growth of contemporary African jazz collaborations.
Dyer expressed deep admiration for Hope Masike, describing her as a naturally gifted performer with a rare stage connection. He said their musical chemistry makes performing together effortless and powerful. According to him, every time they share a stage, the result feels organic and deeply musical. He also pointed to her professionalism and work ethic as key reasons behind her success. Dyer said he did not hesitate when the idea of the joint Harare performance was introduced because of his long-standing respect for her artistry. He emphasized that Masike represents a level of talent that deserves wider continental recognition. His praise placed her in a category of artists he believes are shaping the future of African music.
Hope Masike responded to the recognition with gratitude and humility, noting that acknowledgment from an artist of Dyer’s stature carries significant meaning. She said the endorsement strengthens her confidence and confirms the direction of her artistic journey. Masike emphasized her commitment to continuous improvement and building a lasting musical legacy. She also highlighted the importance of her loyal fan base, crediting them for supporting her career from the beginning. For her, every performance represents an opportunity to grow and connect with audiences on a deeper level. She added that international collaborations have played a key role in refining her sound and expanding her creative vision. Working with artists like Dyer’s son, Bokani, further enriched her recent Harare performance experience.
Over the years, Masike has established herself as one of Zimbabwe’s most versatile and globally visible performers. She has collaborated with internationally acclaimed artists such as Salif Keita, Louis Mhlanga, and Oliver Mtukudzi. Her work continues to blend traditional Zimbabwean mbira influences with modern jazz and world music elements. This fusion has allowed her to reach audiences across Africa, Europe, Asia, and the United States. Her growing reputation reflects a consistent commitment to artistic excellence and cultural expression. Dyer’s remarks add to a long list of recognition she has received from respected figures in the global music industry.
Steve Dyer also spoke warmly about Selmor Mtukudzi, describing her as one of Zimbabwe’s most complete and reliable artists. He revealed that his connection with the Mtukudzi family spans many years, built on both professional collaboration and personal respect. Dyer said he worked closely with Selmor in both studio and live settings, and he considers her a close artistic family member. He praised her consistency, vocal strength, and emotional delivery on stage. He also highlighted her musical partnership with her husband Tendai Manatsa, noting that their collaboration brings balance and depth to their performances. According to Dyer, their combined sound reflects maturity and strong artistic alignment.
Dyer added that his support for Selmor remains unwavering, similar to the support he offered to her late father, Oliver Mtukudzi. He emphasized the importance of mentorship and collaboration within the music industry. In his view, African music grows stronger when artists actively support one another instead of working in isolation. He also pointed out that his professional relationship with Selmor is built on trust, respect, and shared musical understanding. This relationship continues to influence how he engages with Zimbabwean music on a broader scale. His comments reinforced the deep personal and professional bonds that often shape the African jazz community.
The veteran musician also acknowledged Jeys Marabini as another standout Zimbabwean artist making a strong impact with his unique sound. He said Marabini’s style carries echoes of Oliver Mtukudzi’s musical spirit while still maintaining its own identity. Dyer praised his consistency and contribution to the preservation of Zimbabwean musical heritage. He noted that artists like Marabini play a vital role in keeping traditional influences alive in modern compositions. His recognition of multiple Zimbabwean musicians reflects his broader appreciation for the country’s creative talent. It also highlights Zimbabwe’s continued influence in shaping African jazz and contemporary music.
Steve Dyer’s recent visit to Harare and his collaboration with local musicians once again underline the power of cross-border artistic exchange. His praise for Hope Masike and Selmor Mtukudzi reinforces their growing status as leading voices in African music. Both artists continue to expand their reach while staying rooted in their cultural identity. Their work reflects a blend of tradition, innovation, and international appeal that resonates with diverse audiences. As collaborations like these continue, African jazz remains a powerful platform for unity, creativity, and cultural storytelling.
