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Janet Manyowa Clears Air on Matthias Mhere’s Role at Worship Moments Concert as Anticipation Builds in Harare

Award-winning gospel artist Janet Manyowa has addressed growing questions about the inclusion of fellow gospel singer Mathias Mhere in the worship segment of her upcoming Worship Moments concert. Some fans had questioned the decision, arguing that Mhere is mainly known for praise music rather than worship-focused performances. Manyowa responded by explaining that worship and praise are both essential expressions of faith and should not be separated too rigidly. She said Mhere has demonstrated versatility throughout his music career, including worship material. The clarification comes as excitement builds ahead of one of Zimbabwe’s most anticipated gospel events. The concert is expected to draw a large audience seeking a deep spiritual experience through music.

Manyowa explained that she and Mhere recently worked together on a worship song from his latest album. She said the song will be performed live for the first time at the Worship Moments concert, giving fans a new experience of his ministry. According to her, this collaboration highlights the shared purpose behind their music rather than genre labels. She emphasized that worship moments are meant to bring unity among gospel artists and audiences. The performance is expected to showcase a different side of Mhere’s artistry that some fans may not be familiar with. It also reinforces the collaborative nature of the gospel music scene in Zimbabwe.

The gospel star also clarified misconceptions about the structure of Worship Moments as an event. She said the concert is not limited to slow worship songs, as many people assume. Instead, it blends both praise and worship to create a full spiritual experience. She described it as a gathering designed to celebrate God through different forms of musical expression. The event has grown steadily over the years into a major fixture on Zimbabwe’s gospel calendar. It attracts believers who are looking for both energetic praise and reflective worship in one space.

The upcoming edition will take place at 7 Arts Theatre in Avondale, Harare, and is scheduled to begin at 7 PM. Organisers say this year’s event will focus more on creating an intimate worship environment. Munyaradzi Manyowa, who also manages the event, said the goal is to allow audiences to engage more deeply with the music and message. He explained that production planning begins months in advance and involves rehearsals, logistics, guest coordination and prayer. He said the focus is not on spectacle but on meaningful worship moments. This approach is intended to ensure that attendees experience a strong sense of spiritual connection throughout the evening.

Munyaradzi Manyowa added that Janet is highly committed to delivering excellence in every performance. He said each edition of Worship Moments is carefully designed to offer something unique and fresh. The team has also planned guest appearances and collaborations to enhance the experience. While Janet remains the central performer, other gospel ministers will share the stage to promote unity in worship. He said this reflects their belief that worship is strengthened through fellowship and shared ministry. The organisers expect the event to leave attendees spiritually refreshed and encouraged.

The Manyowa team also confirmed that Worship Moments remains a key part of Janet’s annual ministry calendar alongside other projects such as ANOT. They noted that additional music and ministry initiatives are currently in development and will be announced in due course. According to management, the growing popularity of Worship Moments reflects a strong demand for spiritually uplifting gatherings. They believe such events play an important role in offering hope and emotional support to audiences. In a time of uncertainty, they said, spaces of worship help people reconnect with faith and community. The upcoming concert is expected to continue that mission while delivering a memorable gospel experience for all who attend.

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