Family, Heritage and Art Collide in ‘Dzemudanga’ Exhibition at National Gallery of Zimbabwe

A powerful conversation about heritage, creativity, and family is taking centre stage at the National Gallery of Zimbabwe in Harare, where brothers Hugh and Lionel Mbayiwa are exhibiting their collaborative body of work under the title Dzemudanga — a Shona phrase meaning from the same kraal. The exhibition is a compelling reminder of how family-rooted artistic practices can become powerful vehicles for cultural preservation and self-expression.

In a world where the debate on pedigree — especially in academic settings — often discourages inherited habits or traits that may appear toxic or deviant, Dzemudanga presents a different narrative. It celebrates family-taught creative skills and offers a meaningful platform for heritage-based storytelling.

Speaking to NewsDay Life & Style, multi-media visual artist Hugh Hatitye Mbayiwa explained that working alongside his brother Lionel gave them both the chance to explore their individual strengths while forging a stronger connection — both as siblings and as creative collaborators.

“Our drum painting was symbolic of unity and the power that lies in togetherness. It served not just as an artistic piece, but as a tribute to community, culture and shared identity,” said Hugh, who trained at the National Gallery of Zimbabwe Visual Studios.

Driven by themes rooted in his rural upbringing in Mhondoro, Hugh blends modern techniques with traditional influences, often drawing from his personal history and social experiences. As an arts teacher, he continues to challenge himself by experimenting with new methods and embracing diverse artistic styles.

“I derive my ideas based on themes, a pure urge to experiment and challenge myself to venture into several techniques. As a teacher, I often find myself returning to what I learnt, but reinterpreting it in my own way,” he said.

The exhibition features a wide range of work, including Taakuno — a piece reflecting the physical and spiritual journey of migration. “It’s about transformation and tracking how our journeys shape us,” Hugh explained. Another standout piece, Mbuya VaDoren, is a touching homage to their late maternal grandmother. The mixed media work includes fabric and doilies that belonged to her, symbolising the transmission of values and memories across generations.

“Heritage preservation really starts at the family level,” Hugh noted. “This piece connects the personal to the collective, reminding us of where we come from.”

Also on display is Pro-State, a sculpture made from found objects and mixed media that explores the physical and emotional transformations men undergo as they age — a commentary on identity, change, and resilience.

Hugh’s work is also informed by his exposure to African rock paintings and Aboriginal art, which he teaches and studies. “Subconsciously, I’ve been influenced by those styles. I see my art fitting into the global conversation through the uniqueness of its message,” he said.

As Dzemudanga continues to draw interest at the National Gallery, it stands as more than an art exhibition. It is a testament to the enduring power of familial collaboration, heritage, and the role of artists as custodians of culture in a rapidly changing world.